关键词:出生证明 Stanislaw Rozewicz created novella film &quot
In1961,StanislawRozewiczcreatedthenovellafilm"BirthCertificate"incooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.Theywerebornandgr详情影片名称:出生证明
影片别名:chushengzhengming
影片演员:Andrzej Banaszewski,Beata Barszczewska,马里乌什·德莫霍夫斯基
影片导演:斯坦尼斯拉夫·罗泽维格
上映时间:1961
影片语言:其它
IMDB评分:2.0
国家/地区:其它
总播放次数:60次
入库更新时间:2023-09-20
资源更新:HD
秋霞电影网网友:出生证明描述了 In1961,StanislawRozewiczcreatedthenovellafilm"BirthCertificate"incooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.TheywerebornandgrewupinRadomsk,asmalltownwhichhad"itsmadmenanditssaints"andmostimportanly,the"Kinema"cinema,asStanislawrecalls:forhimcinemais"heaven,thewholeworld,enchantment".Tadeuszsaysheconsiderscinemabothacharmingmarketstallandamysterioustemple."Allthissavagelandhasalwaysattractedandfascinatedme,"hesays."IamdevouredbycinemaandIdevourcinema;I'macinemaeater."ButTadueszRozewicz,aneminentwriter,admitsthisuniqueformofcooperationwasaproblemtohim:"Itisthepresenceoftheotherpersonnotonlyintheprocessofwriting,butatitsverycore,whichisinserperableformefromabsolutesolitude."Somescenesthebrotherswrotetogether;otherswerecreatedbythewriterhimself,followingdiscussionswiththedirector.Butfromtheperspectiveoftime,itis"BirthCertificate",ratherthan"Echo"or"TheWickedGate",thatTadueszdescribesashismostintimatefilm.Thisisunderstandable.ThetradgeyfromSeptember1939inPolandwasfortheRozewiczbrotherstheirpersonal"birthcertificate".Whenworkingonthefilm,thedirectorsaid"Thistimeitisallaboutshakingoff,gettingridofthepsychologicalburdenwhichthewarwasforallofus....Cooperationwithmybrotherwasinthiscaseeasier,aswesharemanywarmemories.Wewantedtoshowtoadultviewersapictureofwarasseenbyachild....Inreality,itistheadultswhocreatedtherealworldofmassacres.Childrenbeheldthehorrorscomingbacktolife,exhumedfromunderneaththeground,overwhelmingtheearth."迷人的保姆 Theprincipleofcompositionof"BirthCertificate"isnotobvious.Whenwatchinganovellafilm,wetendtothinkintermsoftraditionaltheatre.Weexpectthataminiaturestorywillfinishwithasharppoint;thethreefilmnovellasinRozewicz'sworklackthisfeature.Wedonotknowwhatwillbehappentotheboymakinghisalonethroughtheforesttowardstheendof"OntheRoad".Wedonotknowwhetherin"LetterfromtheCamp",thehelpofferedbythesmallheroestoaSovietprisonerwillrescuehimfromtheunknownfateofhiscompatriots.ThefateoftheJewishgirlfrom"DropofBlood"isalsounclear.Willshekeephernewimpersonationas"MarysiaMalinowska"?OrwilltheNazismakeherintoarepresentativeofthe"Nordicrace"?Thosequestionswereaskedbythedirectorforareason.Hepreceivedwaraschaosandperdition,andnotaslinearhistorythatcouldbereflectedinaplot.Although"BirthCertificate"issaturatedwithmoralcontent,itdoesnotaimtobeamoralityplay.Butwiththeimmensepressureofreality,novarientoffateshouldbeexcluded.ThisapproachedcanbecomparedwthKrzysztofKieslowski's"BlindChance"25yearslater,whichpictureddramaticchoicesofadifferentera. Thefilmnovella"OntheRoad"hasaverysparingplot,butitdrewspecialattentionofthereviewers.TheominatingovertoneofthewarfilmscreatedbythePolishFilmSchoolatthattimeshouldbekeptinmind.MainlyowingtoWajda,thosefilmsdealtwithromanticheritage.Theywerepermeatedwithpathos,bitterness,andirony.Rozewiczisanextraordinaryartist.Whennarratingastoryaboutaboylostinawarzone,carryingsomedocumentsfromtheregimentofficeasiftheywereatreasure,thenarratorin"OntheRoad"discoversroughprosewhereoneshouldfindpoetry.Andsuddenly,theirrationaltouchesthisrathertameworld.Theboy,whountilthatmomentresembledaPolishversionoftheGoodSoldierSchweik,setsoff,likeDonQuixote,forhisfirstandlastbattle.Acriticdescribeditas"anabsurdgestureandsomeoneelsecouldsurelyuseittocriticisethePolishstyleofdying....ButtheRozewiczbrothersdonoaccuse:theyonlycomposeanelegyforthepicturesquepeasant-soldier,probablythemostimportantveteranofthePolishwarof1939-1945.""BirthCertificate"isnotaloftystatementaboutnationalimponderabilia.ThefilmrevealsaplebeianperspectivewhichAleksanderJackieqiczoncecontrastedwiththose"lyricallamentations"inherentintheKordiantradition.However,ahistoricaloverviewofRozewicz'sworkshowsthatthedistinctivestyledoesnotsignifyafundamentaldifferenceinillustratingthePolishSeptember.JustasthememorablescenefromWajda's"Lotna"wasinfactanexpressionofdesperationanddistress,thesameemotionspermeatethefinalsceneof"BirthCertificate".Thesearenotideologicalconcepts,thoughoncedescribedassuchandferventlydebated,butratherpsychologicalcreations.Inthisspecificcase,observesWitoldZalewski,itisnotaboutmanifestingknightlypride,butaboutagestureofasimplemanwhodoesnotagreetobeenslaved. Thenovella"DropofBlood"is,withAleksanderFord's"BorderStreet",oneofthefirstnarrationsofthefateofthePolishJewsduringtheNazioccupation.Thestoryaboutagirlliterallylookingforherplaceonearthhasadramaticdimension.Especiallyintheageoftoday'sjournalisticdisputes,oftenmanipulative,lackinginempathyandimbuedwithbadwill,Rozewicz'sstoryfromthepastshockswithitsauthenticity.ThesmallherioneofthestoryistheonlyonewhosurvivesaGermanraidonherfamilyhome.Physicalsurvialdoesnot,however,meanareturntonormality.Herfrighteneddeparturefromtherubbishdumpthatwasherhideoutleadhertoaruinedapartment.Herwalkarounditispainfulbecausestillfreshsignsoflifearemixedwithevidenceofannihilation.Helpisneeded,butMirkadoesnotknowanyoneintheoutsideworld.Hersubsequentattemptsexpressthestateofthefugitive'sspirits-fromhopeandfaith,movingtodoubt,asenseofoppression,andthickeningfear,andfinallytodespair. Atthesametime,theJewishgirl'ssearchforrefugeresemblesthestateofPolishsociety.TheappearanceofMirkaresultsinconfusion,andlater,trouble.ThiswasalreadysignalledbyRozewiczinanexceptionalscenefrom"LetterfromtheCamp"inwhichtheboy'sneighbour,seeingafugitiveRussiansoldier,retreatsimmediately,admittingthat"Now,peopleworryonlyaboutthemselves."Suchembarassingexcusesmaskfear.Duringtheoccupation,noonefeelssafe.Neithersocialstatusnottheaegisofacharityorganisationprotectsagainstrepression.WeseethepotentialguardiansofMirkapassingherbackandforthamongthemselves.Thesearefriendlyhandsbuttheycannotofferstrongsupport.Thestorytakesplaceonthatthinlinebetweensolidarityandheroism.Solidarityarisesspontaneously,butonlysomearecapableofheroism.Helpforthegirldoesnotalwaysresultfromcompassion;sometimesitisbasedonpastrelationsandpersonalties(aneighbourofthedoctortakesinthefugitiveforafewdaysbecauseofpastfriendship).Rozewiczportraysallofthisinasubtleway;eventhesmallestgesturehassignificance.Take,forexample,theconversationwithastrangeronthetrain:short,asifjotteddownonthemargin,butsofulloftension.Andearlier,apeculiarexaminationofPolishness:the"HolyFather"prayerforcedonMirkabythevillageboystocheckthatsheisnotaJew.Wouldnotrisingtothechallengemeanadeathsentance? Viewedaftermanyyears,"BirthCertificate"disclosesyetanotherqualitythatisnotpresentintheworksofthePolishSchool,butisprominentinlaterB-classwarfilms.Thisisthepictureofeverydaylifeduringthewarandoccupationoutlinedinthethreenovellas.Itharmoniseswiththelogicofspeakingabout"lifeafterlife".SmallheroesofRozewiczsuddenlyentertherealityofwar,withnoexperienceorscalewithwhichtocompareit.Forthem,thepresentisanaturalextensionofandatthesametimeacompletenegationofthepast.Considerthesleeysmall-townmarketplace,throughwhicharmouredcolumnswillshortlypass.OrmeettheGermanmotorcyclists,wholooklikealiensfromouterspace-apicturetakenfromanautopsybecausethisishowStanislawandTadueszperceivedthefirstGermanstheyevermet.Notetheblurredsilhouettesofpeopleagainstawhitewallwhoarebeingshot-atfirsttheyareshocking,butsoontheywillprobablybecomeapartofthegrimlandscape.Inthecitycentrestandsaprisonercamponasoddenbog("Peopleperishlikesflies;thebodiesaretransportedduringthenight");inthestreetthechildernarerunningafteracoalwagontocollectsomepreciouspiecesoffuel.There'sabustlearoundsomefood(aboyreproacheshisyoungerbrother'sactionsbysinging:"Thewarrantofficer'ssonisbegginginfrontofthechurch?I'mgoingtotellmother!");andthekitchen,whichoneeveningbecomestheprosceniumofarealdrama.Andtherearethesymbols:abarofchocolateforceduponaboybyaWehrmachtsoldier("OntheRoad");apairofshoesbelongingtoZbyszek'sfatherwhichtheboyspontaneouslygivestoaRussianfugitive;apricelesssliceofbread,ground undertheheelofapolicemanintheguter("LettersfromtheCamp").Asthedirectorputit:"Ineveryfilm,Icommunicatemyownvisionoftheworldandofthepeople.Onlythenthestylefollows,thedefinedwayofexperiencingthings."InBirthCertificate,headds,hisapproachwasdrivenbythesubject:"Iattemptedtocreatenotonlythetextureofthedocumentbutalsotoaddsomepoeticelement.Iknowitisriskybutasforthemergerofdocumentationandpoety,oftenhiddenverydeep,ifonlyitmanagestomakeitswayontothescreen,itresultsinwhatcanreferredtoas'art'." After1945,therewerenumerousfilmscreatedinEuropethatdealtwithwarandchildren,including"SomewhereinEurope"("ValaholEuropaban",1947byGezaRadvanyi),"Shoeshine"("Sciescia",1946byVittoriodeSica),and"ChildhoodofIvan"("Iwanowodietstwo"byAndriejTarkowski).Yettherewerefewerthanonewouldexpect.Pursuingasubjectsoimbuedwithsentimentalismrequiresstylisticdisiplineandaspecialabilitytomanagechildactors.Theauthorof"BirthCertificate"masteredboth-anditwasnotbychance.StanislawRozewiczwasalwaysthebeneficentspiritofthefilmmilieu;hecouldunitepeoplearoundacommongoal.Heemanatedpeaceandsensitivity,whichflowedtohisco-workersandpupils.Afilm,beingagroupwork,necessitatessomeformofempathy-tuninginwithothers. InabiographicaldocumentaryaboutStanislawRozewiczentitled"Walking,Meeting"(1999byAntoniKrauze),thereisabeautifulscenewhenthedirector,afterafewdecades,meetsBeataBarszczewska,whoplaysMireczkainthenovella"DropsofBlood".Thewomanfallsintothearmsoftheelderlyman.Theyarebothmoved.Hewondershowmanyyearshavepassed.Sheanswers:"Afewyears.Nottoomany."AndRozewicz,withhischaracteristicsmilesays:"Itistrue.Wespentthisentiretimetogether."。
神马电影网网友:最近《出生证明》上映了,在《出生证明》前半段,男主可以说惜“字”如金,常常是用——“哎”“呦!”“嗯?”……一字尽得风流,显示出何总管身居高位、傲慢谨慎、狡诈多疑的人物特点,也成为观众会心一笑的笑点。在影片后半段,男主的台词量明显增加,人物更加立体,对剧情的推动也更加有力。比如何立和舞姬交涉时,借由他的一连串发问,刻画出秦桧身边这位“最危险人物”的缜密、机警。在精准把握何立的人物特性的同时,男主诙谐幽默的演绎方式,不仅很好的拿捏住观众的情绪点,也使影片过于压抑凝重的色调和氛围得到一定程度的调剂,继而也为影片节奏的再次改变做了铺垫和反衬。。
被窝电影网友:全集共1集1集。现在是HD。具体总集数可以去百度问答看看
青苹果影院网友:截止到2023-09-20 00:33:39,《出生证明》已经更新到HD。
艾玛影院网友:除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、天空影院、百度视频等平台去看正版视频。
影视大全网友:And的可塑性也很强,既可以饰演正面角色,也可以饰演反面角色,这次所尝试的老丈人角色也很符合他给人带来的人物想象空间。把一个中年男人的爹味、自大、爱慕虚荣,同时又有的善良、温柔、见义勇为的形象展现地非常饱满。要说And历经这么多年的打磨确实是一个非常成熟的演员了,从电影中可以很容易察觉到他对于角色驾驭的游刃有余,可以说很好地完成了每一场戏所需要达成的任务。
人人影视网友:有以下演员主演:Andrzej Banaszewski,Beata Barszczewska,马里乌什·德莫霍夫斯基。
秋秋影视网友:您可以用手机打开百度APP在搜索框里输入:出生证明手机在线观看免费,就可以找到免费正版播放资源了。手机免费看出生证明网址:m.sightly.cn/tk/93528.html,这个网站免费无广告。
小草影视网友:很多地方都可以看呀,我是在天空影院APP上看的,打开APP后直接搜索“出生证明”就能看了。
10、《出生证明》评价怎么样?
豆瓣电影影评:主角一步一个台阶,真的有进步。“怂女婿见岳父”题材下,利用人物核心矛盾不断发散笑点,同时也贴近当下生活情感。前段多肢体喜剧设计,后段多细节笑点,看得轻松顺畅,不尬不拧巴。片名概念也有点妙,“人生/路不熟”“人生路/不熟”不同断句不同效果,也是想讲每个普通人都会有“不熟的第一次”,勇敢跨过去,做对的事就好啦。
丢豆网影评:选择这部电影可以是因为他是五一档的喜剧片。但是你们一水刷五星,没开分前,短评里面的五星好评起码有百分之八十。误以为是一部好的电影,真的无语啊。主角一路搞破坏,傻子人设?一路赔个大几十万谁受得了?能感觉很想拍好,各种元素都加进去,揉和的也不错,这部喜剧电影除了不是很好笑,没有太大毛病。笑点是设置的很密集,问题是很好猜到。
mtime时光网影评:说真的觉得写差评就是水军的奇行种别来了…如果真的给这部电影写差评有钱的话我一定也会赚的…倒是给我钱啊…本以为这部电影开分能拿过6分是中国喜剧电影的不幸,喜剧电影的发展倒退了不少的。在发布影评与图中网友讨论过后,我认为还有余地,可以再倒退几年。!
烂番茄影评:别看这次五一档有十几部电影扎堆,但是出生证明
算是唯一正宗的喜剧类电影。而从现场的观影效果而言,再次凸显出喜剧电影在影院集体看片所带来的一种共振强化效应。我当时所在的场次几乎坐满了人,尤其是在笑点比较密集的前半段,周围不断爆发出阵阵笑声,有时候真的笑得好大声。于是我作为其中一个观众,哪怕自己的笑点相对较高,也确实会被整体的气氛带动,更容易沉浸在电影所营造的欢快氛围中,更加充分地感受到电影带来的快乐。/p>天空影视所有视频和图片均来自互联网收集而来,版权归原创者所有,本网站只提供web页面服务,并不提供资源存储,也不参与录制、上传
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